Review of the film Down To The Bone

Snakes are interesting creatures gifted with bone structures most alien compared to that of the human skeletal system. Their skulls consist of complete and solid brain cases but are hinged loosely to the bones of the jaw, allowing for the ingesting of prey larger than the reptiles doing the ingesting. The vertebral column of snakes are composed of 200 to 400 vertebrae and allow them to bend and undulate, unimpeded by their lack of limbs. Most snakes, when killing their victims, use a combination of sharp bite and constriction to subdue before swallowing their prey whole.

The outstanding film Winter's Bone by Director Debra Granik chilled me with its stark realism and the dignity and intelligence of the female lead. The movie garnered great attention for the director and it's then unknown star, Jennifer Lawrence. Before this, Director Granik had quietly but definitively broken onto the scene with another powerful and realistic depiction of a troubled but strong woman confronted with the worst life has to offer. The film is called Down To The Bone based on her award-winning short Snake's Feed and left me quite astounded with its gravity.

Vera Farmiga plays Irene, a grocery cashier, wife and mother of two in upstate New York who goes to great pains to believe her cocaine addiction does not lead her life. She skims along the surface of her life, sometimes wildly happy with coke in her system, and other times desperately crying because her dealer will not accept her son's birthday check from his grandmother in exchange for a fix. This last episode snaps her into entering drug rehab. There she meets a male nurse named Bob who seems to understand her desire to live her life drug free and may also feel something for her. But when she returns to the real world again after only a week of being clean it is obvious that this will be a battle Irene was not expecting.

Every day, every moment, is dictated by addiction and it's hunger within Irene. She may have gone a week without using, but she will forever be an addict. This is a film where you see the inner workings of a person; her life is happening right before us. There are no flashy time lapses by Director Granik, and we are not sparred the discomforts of Irene's journey by smart camera angles or wild storytelling. She takes up a romance with the rehab nurse Bob. The fevered nature of their relationship challenges both their sobrieties, and, with the coming of winter, there is a downbeat playing out of events that seems as close to reality as anything currently on celluloid.

The film does not end tidily as these things never truly do. Irene reminds us that it is difficult to ever forget that which troubles us--that our minds find every reason not to forget. And, in fact, their natures are not to let go until we are swallowed whole. 

Review of the film Monsters

In the low-budget, independent film Monsters, it is quickly explained that in the near future a space probe is sent to Europa, a moon of Jupiter. Upon returning, it crash-lands in Mexico with some sort of alien life-form aboard that escapes into the open and begins infecting the jungles. The results of this infection are giant alien monsters that roam through the forests, responding aggressively only when first attacked and propagating throughout the countryside. This infected area is quickly quarantined, and the United States builds a massive wall to block the monsters from invading the country and begins assaulting them with missiles and explosives from aircraft above.

Andrew is a photojournalist working in the Central American area bordering this infected zone. He chronicles the effects of the monsters and the collateral damage from the battle against them. His wealthy boss orders him to escort his daughter, Samantha, through the infected zone back to the United States where her fiancé is waiting for her return. They fail to board a boat sailing across the Gulf to the coast of the U.S. and are forced to navigate through the very dangerous and wild terrain with hired guns to protect them.

It seems like a standard alien monster movie from the setup, but the creators seem to be attempting something a bit different. Viewers rarely see the giant creatures, but their threat and that of the wild landscape are always present in the tension of a scene, looming about in cast shadows and the lines in the characters' visages.  We do see the aftermath of the carnage wrecked by the war against the alien infection. A young girl's body lies on the dirt road that the small group uses nears a pickup truck that has been destroyed by a missile or a monster; it is difficult to say which one. Andrew has the opportunity to snap several photos of the scene. Journals back in the States would pay a high price for shots of a poor child killed in this conflict. But he hesitates, gazing at the worn shoe that hangs off her toes. Eventually the group moves on, and the creatures' moans are audible all around them as they call to one another, communing across the distance.

Traveling closer to the U.S. border, we see the huge wall that has been built to keep the monsters and infection out. It is an awesome sight, rendered even more impressive by how low the film’s budget was. In the story, however, this wall may not be as effective as it looks and the authorities had hoped. The final scenes take place just across that border as Andrew and Samantha attempt to find someone to point them in the direction of help. This new landscape appears as devastated and abandoned as that they have just come through. The alien monsters are nearby, and as night descends on them, they witness the creatures and begin, perhaps, to understand what their true desires on our planet are. Monsters is an interesting film, certainly not perfect and, at times, quite silly. But the visuals, tone, and ideas are worth the time.